The more you have to do with the global world, the happier you are about the local theater!
If "global world" means that there is a global consciousness or at least global trends of themes, why can't they be examined locally? Don't the audience members have global heads despite their local behinds? It is because it is this way and because it must exist with this tension that theater, although it thinks globally, can be the theater for a city. I have always liked theater people that really approach their city, that work with their city: stadttheater as theater for a city.

(Moritz Rinke, playwright)